Roman Nasonov

About

Work

Moscow Conservatory
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Associate Professor

Russian Federation

Publications

Gifts from “Bibliorossika” (and What Should We Do with Them)

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Научный вестник Московской консерватории

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Reconciliation in the Cathedral: Isaac's Religion in “Owen-Mass”

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Музыкальная академия

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Бах— аполлонический? Six Concerts avec plusieurs instruments как смысловое единство

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Научный вестник Московской консерватории

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Bach the Apollonian? Rethinking ‘Six Concerts avec plusieurs instruments’ as a Meaningful Set

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Научный вестник Московской консерватории

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Following the Conference “From Art Nouveau to Futurism” (Virtual Round-Table Discussion)

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Научный вестник Московской консерватории

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Who Sings the “Aria of Peter” and Why It Matters

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Музыкальная академия

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PURCELL'S DIDO AND AENEAS AS A POLITICAL ALLEGORY

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OPERA V MUZYKAL'NOM TEATRE: ISTORIYA I SOVREMENNOST', TOM 1

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Theology of Bach’s Passions through Herzliebster Jesu by J. Heermann: Lutheran Theosis?

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Научный вестник Московской консерватории

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Богословие Страстей И. С. Баха сквозь призму песни И. Хермана Herzliebster Jesu: феосис по-лютерански?

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Научный вестник Московской консерватории

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Theology of Bach’s Passions through Herzliebster Jesu by J. Heermann: Lutheran Theosis?

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Nauchnyy Vestnik Moskovskoy Konservatorii

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André Maugars. Response to an Inquisitive Person on the Italian Feeling about Music, Wrote in Rome on 1st October 1639

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Научный вестник Московской консерватории

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Il Divino Cipriano vs. Il Pitagora Nuovo and Other “Chimeras” of Seconda Pratica

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Научный вестник Московской консерватории

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Beata Vergine and Heavenly Jerusalem (On the Belief System in the Monteverdi’s Vespro)

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Научный вестник Московской консерватории

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